Oil painting

Oil painting is the process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil. The choice of oil imparts a range of properties to the oil paint, such as the amount of yellowing or drying time. Certain differences, depending on the oil, are also visible in the sheen of the paints. An artist might use several different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium. The oil may be boiled with a resin, such as pine resin or frankincense, to create a varnish prized for its body and gloss.

Although oil paint was first used for Buddhist paintings by Indian and Chinese painters in western Afghanistan sometime between the fifth and tenth centuries, it did not gain popularity until the 15th century. Its practice may have migrated westward during the Middle Ages. Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. The transition began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance oil painting techniques had almost completely replaced the use of tempera paints in the majority of Europe.

List of people and animals from Thomas & Friends

The television series Thomas & Friends features many fictional people and animals who interact with the engine characters and form the basis for many of the varying storylines. The following list describes the more notable people and animals that have appeared. A few have appeared in more than one episode, but most appear just once.

A number of the characters originated in The Railway Series of children's books by Wilbert Awdry. Where appropriate, cross-links are provided to allow access to the non-TV side of the character in question.

Major and Recurring Characters

The Fat Controller

Sir Topham Hatt, also known as The Fat Controller, is in charge of most the engines on Sodor, and has a great deal of influence on the Island. He is firm but fair, and is an extremely complex character. He often acts as a father-figure to the engines of Sodor - when an engine is upset he speaks to them kindly, and he treats all his engines equally. He does not stand for nonsense, but is also forgiving. When an engine misbehaves, as they often do on his railway, he is willing to allow them a second chance if they are truly sorry.

French

French may refer to:

See also

Metropolitan Museum of Art

The Metropolitan Museum of Art, colloquially "the Met", located in New York City, is the largest art museum in the United States and among the most visited art museums in the world. Its permanent collection contains over two million works, divided among seventeen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is by area one of the world's largest art galleries, at 2 million square feet. There is also a much smaller second location at The Cloisters at Fort Tryon Park in Upper Manhattan which features medieval art.

Represented in the permanent collection are works of art from classical antiquity and ancient Egypt, paintings and sculptures from nearly all the European masters, and an extensive collection of American and modern art. The Met also maintains extensive holdings of African, Asian, Oceanic, Byzantine, and Islamic art. The museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. Several notable interiors, ranging from first-century Rome through modern American design, are permanently installed in the Met's galleries.

National Gallery

The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the public of the United Kingdom and entry to the main collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, and the Metropolitan Museum of Art.

Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, an insurance broker and patron of the arts, in 1824. After that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. The resulting collection is small in size, compared with many European national galleries, but encyclopaedic in scope; most major developments in Western painting "from Giotto to Cézanne" are represented with important works. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, but this is no longer the case.